A Conversation With Bell's Roar On Activism Through Music, Genre Bending, & The Art Funds Art Tour

A Conversation with bell's roar on Activism Through Music, Genre Bending, & The Art Funds Art Tour

I chatted with Sean Desiree of bell’s roar on activism through music, genre-bending, and the Art Funds Art Tour, a project providing grants to other QTPOC artists.

The project bell’s roar is a reference to the feminist writer, bell hooks and is used as a reference point throughout their music. For Desiree, music is weaved with their identity as a non-binary person of color. After the release of their debut full-length, We Carry Us and the first leg of The Art Funds Art Tour wrapping up, I spoke with Desiree on activism through music, the inspiration for the project bell’s roar and why bell’s roar is definitely not hip-hop music.

“My music is very much linked to my identity as a non-binary person of color and the things that I face, or how I feel about the world- my joys, all that.” - Sean Desiree  

You’ve had a pretty eventful start to 2018, from your debut full-length, We Carry Us to your tour, The Art Funds Art Tour– how did the first leg of it go?

The tour went really well, I definitely learned a lot from the whole process; it was my first time doing it and the first leg of the tour. I went from Albany, NY where I live, down to Atlanta and making stops along the way, like in Philly, Boston & Baltimore. In each city, I connected with local acts to play the show with me, so it was a really great way to make connections with different artists along the way– some of them I knew, some of them I didn’t.

What was it like seeing the Art Funds Art Tour come to fruition?

I think everyone involved in the project was super down with the concept of it which was to give away proceeds from each show to a local artist. There are so many artists out there in need of funds, including me, and that’s how I came up with the idea. I wanted my shows to be more than just about people coming out to see me, but a way to support the community as well. I think it went really well and I have so many ideas to improve it. I really enjoy curating shows as well and having control over the whole experience.

What’s an example of how a tour stop on the Art Funds Art Tour went?

I tried to organize with someone who was involved with local shows in the city. We were able to raise enough money before the show through local organizations for the grant. For example, we were able to give out a grant to Billie Dean Thomas who is kind-of a hip-hop/indie/opera performing artist.

Can you tell me about your activism and how that’s informed your project, bell’s roar?

I grew up in New York City probably around high school was when I really started to think more about world and my place in it, and what I can contribute to it.  I became involved with “Think Outside the System” a queer, trans, people of color led organization which involved thinking of a community without cops, focusing on more community involvement and looking out for each other; so that was really great to get a foundation. Throughout college, I was involved in a lot more environmental issues. Now, I want to use my music as a way to directly supporting people. The Art Funds Art Tour is kind of the beginning of that process and figuring out how my music can be useful for that movement.

The name for your project bell’s roar is a reference to the feminist writer and social activist, bell hooks. How much of your work is informed by hooks?

I feel like the actual lyrics and how I write is not so much directly linked to her, but acts kind of as a reference point for things that I believe in, things that I try to touch upon when I’m writing. My music is very much linked to my identity as a non-binary person of color and the things that I face, or how I feel about the world- my joys, all that.  So it’s not solely inspired by her work but I find her work and the work of others to be very important.

What keeps you honest in your lyricism?

I really do care about that, and I try hard to be genuine because it’s an opportunity to connect people and for people to get something from your music. Lyrics are definitely the hardest part for me. I find writing music easier. The lyrics take a long time for me- I want them to mean something and to convey a message as best as I can. I just try to remember that these are my lyrics and my songs and I don’t really need to overthink it.

What genre would you classify your music in? Do you find people classifying you in a particular genre you don’t agree with?

The only thing that I don’t understand what people are listening too when they’re like, “hip hop”–  it’s not hip-hop at all, so I don’t really know what they’re talking about [laughs]. I think indie-rock makes sense; electronic, soul, and RnB makes sense too. So I think all of those together makes up the sound.


I think people are quick to throw music in one genre box but your sound is definitely a blended one.

Yeah, I feel like it’s hard to place for me. It’s also hard for me to find artists that sound similar to me.

After this leg of the tour, what’s next for you?

I’d like to think about how to bring The Art Funds Art Tour to other cities around the U.S. I definitely want to make more music and I’d like to start producing music for other artists.

How can fans support your tour, and bell’s roar?

The two best ways would be to go to https://bellsroar.bandcamp.com/ and you can get the album there. You can also go to http://artfundsarttour.com/ to contribute to The Art Funds Art Tour and help to make that happen. Either one of those two places are really helpful.

To further support & find out more about bells roar and The Art Funds Art Tour, check out their debut album, We Carry Us here: https://open.spotify.com/album/6gvfUPySiHdW8Ga9XFeYgj ‚Äč& browse their website: http://bellsroarmusic.com/

 

 

*This interview was edited for clarity.

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